by lasermonkey » Tue Aug 31, 2010 1:55 am
Hi Andrew, if you're looking for that jangly sound, it might be worth investing in a compressor pedal. Certainly Roger McGuinn used lots of compression on his 12-string Rickenbackers (his signature model even has one built in). The Janglebox compressor is perfect for this sound, but it pretty expensive. You can get a similar sound with more or less any compressor though, just whack the level knob up, while making sure the amp doesn't overdrive too much. Obviously, the more time you spend twiddling the knobs, the more you'll understand what's going on. Even my cheap DOD compressor can get a great jangly sound.
Peter Buck used a Twin Reverb in the early days. Those Fender tube amps are great for jangle, just go easy on the overdrive. Earlier software simulations of guitar amps have been less than perfect for getting that tube amp on the edge of breakup sound, but some of the recent ones have been really good. Amp Designer in Logic 9 is great!
You can get humbucker equipped guitars to jangle. Teenage Fanclub use Gibson ES335s and Les Pauls (amongst others) and IMHO have some of the most gorgeous jangly tones ever commited to tape.
Using open chords and clusters (partial chords against open strings) will definitely give you a more jangly sound. Not in the right key? Just use a capo!
Once you've been playing a while, you'll find it easier to work out what the guitars on the recordings you like are doing. The early REM stuff is not technically difficult, but is very effective. Try to separate the different guitar parts and then see how they work together.
Good luck!